Reviews
I Capuleti ei Montecchi:
“As Giulietta, soprano Eliza O’Malley was at the top of her game, offering elegant bel canto phrasing with a shimmering, silvery sheen.” -James Roy MacBean
Otello:
“Winthrop and O’Malley gave strong performances… The final act is … where [they] had their greatest opportunity to shine ” -Elizabeth Warnimont, Benicia Herald
Trap Door:
“The voices, singing and interactions of the performers are stunning… Singing by these performers is of professional quality…sung and played beautifully” -Albert Goodwyn, S.F. Bay Times
“All of the singers have beautiful operatic voices…” -Flora Lynn Isaacson, Annette Lust Reviews
Harvest of Song:
“Soprano Eliza O’Malley’s lithe lines floated with ease” –Mark Alburger , Commuter Times
Playboy of the Western World:
“The heroine Pegeen played by soprano Eliza O’Malley appeared to master all of the complex elements” -Paul Hertelendy, artssf.com
Playboy of the Western World:
“O’Malley’s ability to throw out high Ds in a cascade of notes needs an extra round of applause.” –Jaime Robles, The Piedmont Post
Inferno:
“Combining expressive movement with powerful singing, O’Malley plays Francesca…” –Adam Broner, The Piedmont Post
Dido and Aeneas:
“Excellent Evening…. An unexpected night of excitement.” Bruce Bratton, www.brattononline.com
The Old Maid and the Thief:
“…the cast was terrific… Eliza O’Malley brought clear tone and assured comic presence to the role of Miss Pinkerton.” – Georgia Rowe, Contra Costa Times
Riders to the Sea:
“…and particularly Eliza O’Malley [is] also powerfully credible…” – Jeff Kaliss, Commuter Times
Four Saints in Three Acts:
“This is the best collective performance I’ve heard all year.” – William Wu, Voice of Opera
Leonardo’s Notebook:
“…sung in Italian gorgeously by a cast of five…” Ken Bullock, Commuter Times
